Celebrating KFWB’s 90th Anniversary

Lost Radio History from the Warner Brothers Years
1925 to 1950

By Jim Hilliker

Copyright 2015

Jack Warner and Harry Warner at the KFWB microphone in the first studio. The sign reads, “Silence during broadcasting will be appreciated.” Photo could have been taken for the first broadcast, as it looks like circa 1925-26.

The heritage radio station KFWB in Los Angeles turned 90 years old on March 4, 2015, although the station made no mention of this historic event. I doubt if anybody who listens to KFWB today would have been aware of that fact. Aside from other fans of radio history in Southern California, this writer is likely one of the few who was aware of KFWB’s length of time on the air. KFWB is the 8th oldest radio station in the Los Angeles market. In this article, I want to share some of the early history of KFWB when it was owned by the Warner Brothers movie studio, and explore the early relationship that developed between radio and the motion picture industry.


When was the first official day of broadcasting for KFWB? It was March 4, 1925, NOT March 3. The date has been in doubt and has not been very well documented since 1935. The old KFWB Website said it was March 25, 1925, but that was corrected by 2003. A book in the 1990s by Jack Warner Jr. and other members of his family said March 3, 1925. Studio founder Jack Warner Sr.’s autobiography also gave that date. Two more books about the Warner Brothers movie studio published in the past ten years also give the March 3, 1925 date, as does Wikipedia’s article on KFWB radio. But, according to my research, that date is wrong, by one day.

The best source I have now shows that KFWB radio began broadcasting to Southern California and beyond on the night of March 4, 1925 with 500 watts of power, on a wavelength of 252 meters or 1190 kilocycles on the radio dial. The source for this date is Radio Digest magazine from Nov. 14, 1925 (page 6, page 10) (“KFWB, Where Screen Stars Are Air Stars,” page 6.) This issue featured an article with a special tribute to KFWB.

The article said the new radio station went on the air March 4, 1925, by direct order of Warner Brothers studio boss Jack Warner. This was apparently the last day in the time frame Warner had given his team of Western Electric engineers and studio electrician Frank Murphy to get the station built. Warner said it had to be on the air by March 4th or else. When Warner first announced his intent of putting a radio station on the air, he gave the workers only 28 days to make it happen. The deadline was met, with the station going on the air the night of March 4. I want to thank media historian Donna Halper for originally finding the date for me in her personal copy of Radio Digest in 2003, for my first article on KFWB history for LARADIO.com.

Next, the February 12, 1925 Los Angeles Times article detailing plans by the Warner Brothers movie studio to build a radio station, stated that radio listeners would be able to tune in on this new radio station beginning March 4.

In addition, on Sunday March 1, 1925, the Los Angeles Times ran a short article which reported KFWB would go on the air for the first time “Wednesday night at 7:00 p.m.,” which was March 4, 1925. Also, a newspaper story in the Santa Ana Daily Register from February 19, 1929 said, “KFWB’s new antenna and towers being erected on top of the Warner Brothers Theatre in Hollywood would be used for the first time on March 4th, the fourth anniversary of KFWB.”

And finally, the Los Angeles Times radio column of March 4, 1935 by Carroll Nye, features details of KFWB’s 90-minute special program that night to celebrate its 10th anniversary of its first broadcast on March 4, 1925.


It has been written that KFWB was the first radio station to broadcast Pasadena’s New Year’s Day Tournament of Roses Parade. However, that is not true. That honor went to KPSN in Pasadena, on January 1, 1926. The 1,000-watt station, which lasted only into 1931, was owned by the Pasadena Star-News newspaper at 525 East Colorado Blvd. However, there seems to be truth to the statement that in the early-1930s, KFWB was the first station to broadcast the annual Santa Claus Lane Parade in Hollywood, now known as the Hollywood Christmas Parade.

Another story is that KFWB launched the radio career of Bing Crosby, which is only partly true. Crosby, who had been heard on radio as part of Paul Whiteman’s Rhythm Boys on CBS in the late-1920s, was heard over Hollywood station KMTR in 1929 until March 26, 1930, while Whiteman’s band was filming a movie, “The King of Jazz.” KMTR was an early CBS affiliate in 1928 and 1929, until the network chose KHJ as its Los Angeles station, starting in January of 1930.

When the Rhythm Boys left Whiteman’s band, they began a new radio show over NBC from station KFI in Los Angeles, on June 27, 1930. On July 5, 1930, they were heard only as part of a two-hour revue over station KFWB in Hollywood. But the big break, especially for Bing Crosby, came on July 15, 1930, but not at KFWB. That’s when the Rhythm Boys were featured with the Gus Arnheim Orchestra at the Hotel Ambassador’s Cocoanut Grove nightclub in Los Angeles. Bing became a singing sensation, as his solos stole the show, and KNX radio’s nightly two hour broadcasts made Bing famous in California during his ten-month stint at the Grove. So, while Crosby was heard once in 1930 on KFWB, he was heard in Los Angeles on other stations before his broadcast over KFWB.

Also, an Internet website says that KFWB launched the career of future President Ronald Reagan. This is also not exactly true. Reagan was working for WHO radio in Des Moines, Iowa as an announcer and sportscaster in March of 1937. He traveled to California to report on the Chicago Cubs spring training activities and without his knowledge, a screen test was made. The test was good enough for Warner Brothers to sign Reagan to a contract as a movie actor, which paid more than his radio job. So, while Warner Brothers Studio owned KFWB, it was not specifically the radio station that launched Reagan’s acting career in Hollywood. However, the studio knew of Reagan’s prior broadcasting experience, and he took part in a few KFWB programs from time to time. I have more details about that later in the article.

I also ran across a book on early talking pictures that said KFWB was only the third radio station on the air in Los Angeles. This statement is certainly not true. When KFWB started operating in 1925, there were already 11 stations on the air in the Los Angeles area and 8 of them were within the Los Angeles city limits.


As we stated at the beginning of this article, it was the night of March 4, 1925 that the motion picture industry and the very new radio broadcasting industry joined forces to promote one another. On that night at 7:00 p.m., the Warner Brothers Motion Picture Studio’s new radio station, KFWB, made its debut broadcast. The new radio station was located on the movie studio lot at 5842 Sunset Blvd. in Hollywood. The station’s original output power was 500 watts and its frequency was 1190 on the AM dial. Movie fans were able to tune-in as Warner Brothers used the station to present its actors and actresses to the radio microphone and promote the studio and the latest Warner Brothers movies.

When radio first got the American public’s attention in 1922, the movie studios took notice. That year, a movie serial was filmed called “The Radio King.” The titles of some of the chapters in the serial included “The Secret of the Air,” “Warned by Radio,” and “Saved by Wireless.” Scenes that featured a typical living room in an American home began to show a radio in some of the movies made at the time, too.

In 1925, the year KFWB went on the air, the Hal Roach Studios got the most popular radio announcer in Los Angeles to appear in a scene in an “Our Gang” comedy short. The film was called “Mary, Queen of Tots.” The plot included the kids being scared by what they heard over the air in a radio play. John S. Daggett, also known as “Uncle John” on KHJ’s children’s program, was KHJ station manager and main announcer from 1922 until 1927. He played himself in the movie in a scene which is supposed to be a KHJ broadcasting studio. This may have been the first time that a radio announcer played himself in a movie.

Movie fan magazines had been around for a long time by 1925. But now, with the Warner Brothers movie studio owning their own radio station, KFWB began having radio heavily promote each movie and its stars, as the studio released each film to the public. The promotion of new movies is such a big business today, that we seem to be flooded with entertainment programs that concentrate on nothing but movie and TV actors, singers, their work and gossip about their personal lives. With KFWB, Warner Brothers focused only on their own movies and actors and actresses. The station used them in Variety and dramatic programs and got their names and voices out to the radio listening public. This was all quite new and exciting to movie fans of this era, especially in the years just before talking movies were introduced. But KFWB also allowed other movie studios blocks of time to showcase their actors and films.

At the time, KFWB was the first and only radio station to be owned by a movie studio, until MGM Studio put FM station KMGM on the air at 98.7 MHz. in 1948. (That short-lived station was taken off the air in 1953 by MGM. A new station license was granted for 98.7 FM in 1954 as KCBH call letters are now KYSR, known better as ALT. 98.7).


After first broadcasting on 1190 kilocycles in 1925, KFWB was moved from 1190 to 830 on the radio dial on June 15, 1927. In February of 1928, the Federal Radio Commission (FRC) assigned KFWB to broadcast on 850 kilocycles, but one month later, moved the station back to 830 on the dial. Also in March of 1928, KFWB increased its transmitter power from 500 to 1,000 watts. As part of the national restructuring of the Broadcast Band (AM) by the Federal Radio Commission, KFWB was moved from 830 to 950 kilocycles on November 11, 1928. With the move to 950, KFWB was forced to share a small portion of its broadcast day with the Pasadena Star-News station KPSN for one year, until November 15, 1929. But KPSN, which went off the air in 1931, was given only 30 minutes to one hour of air time each day, and KFWB was able to broadcast the remainder of its hours. By the 1936, the station was operating with 5,000 watts day and 1,000 watts at night, from 6:30 am until midnight and on Sundays from 8 am until midnight. By 1939, transmitter power was 5,000 watts day and night. On March 29, 1941, KFWB changed its frequency again, from 950 to the current 980-AM.

In March of 1925, KFWB’s 4-wire antenna supported by two 150-foot towers was in front of the Warner Brothers building on Sunset Blvd. When KFWB first went on the air, only 14.4 percent of American homes had a radio. The movie studio sold the station in 1950. KFWB operates today as a sports talk station known as “The Beast 980,” with 5,000 watts of power day and night at 980 kilohertz on the AM dial.


The 1920s were a tumultuous decade for radio, as broadcasting was just beginning to evolve. The types of radios sold to the public were changing from year to year, along with the radio station equipment and the way stations presented their programs over the air. The early radio listeners in Southern California, who in many cases were also movie fans, tuned in at every opportunity they could to hear a Variety of screen actors speak over KFI, KNX and KHJ in the early 1920s. Some of the most famous movie stars of the day such as Douglas Fairbanks, Mary Pickford, John Barrymore, Conrad Nagel and even child actors such as Jackie Coogan and Richard Headrick had been heard on those stations.

According to one book on the Warner Brothers movie studio, two of the four Warner Brothers, Sam and Jack Warner, had heard the broadcasts of the local radio stations, such as KFI, KHJ and KNX. They quickly noticed that some of their movie studio competitors were using local radio to advertise and publicize their films. So, the Warner Brothers decided they needed to own a radio station. When they couldn’t buy one that was already on the air, they decided by early-1925 to put a new radio station on the air. KFWB’s first 500-watt transmitter was obtained from KFI, which bought the Western Electric transmitter in 1923. They sold it to Warner Brothers Studio because KFI was buying a new 5,000 watt transmitter. By 1931, after KFWB had increased power to 1,000 watts, they sold the 500-watt transmitter to a station in Portland, Oregon.

Sam Warner hired Nathan Levinson to help get the new radio station licensed and on the air. Levinson was a talented engineer and was the director of the Pacific Division of Western Electric, which made broadcasting equipment. Levinson would later go on to help Warner Brothers Studio become a pioneer in talking motion pictures. Frank Murphy, Warner’s chief electrician and carpenter, was also part of the team that got the radio station on the air. Additional technical supervision while building the station came from Kenneth G. Ormison, who was the well-respected chief engineer of Aimee Semple McPherson’s KFSG, and later was chief engineer for Los Angeles-Hollywood stations KEJK/KMPC, KMTR and KNX, when he helped boost that station’s power to 50,000 watts in 1934.


On February 12, 1925, the Los Angeles Times ran the headline “NEW RADIO STATION FOR HOLLYWOOD,” to announce the new station. But the call letters in the story were not KFWB! The article said in part:

Radioland will be able to tune in on a new broadcasting station beginning March 4, next. It will be station KWBC, now being installed at the Warner Brothers studio on Sunset Blvd. at a cost of $50,000.

The article added,

The station, named with the last three letters, representing Warner Brothers’ Classics, will not be a commercial proposition, nor will it be used for the exploitation of Warner Brothers pictures, Sam Warner said yesterday.

However, KFWB soon became a commercial station and often promoted Warner Brothers movies, along with its actors and actresses.

For unknown reasons, Warner Brothers Studio soon decided not to use the call letters KWBC, which were publicized only in the February 12, 1925 newspaper story. Their new radio station was to be KFWB, a sequentially-assigned set of call letters that the Department of Commerce listed in its Radio Service Bulletin of March 2, 1925. The call letters were given to Warner Brothers following KFWA in Utah and before KFWC in Upland, CA. The letters W and B for Warner Brothers were part of the call sign, but were apparently not specifically requested. However, Jack Warner had joked over the years that KFWB stood for “Keep Filming, Warner Brothers,” while another story claimed the calls stood for “Keep Fighting, Warner Brothers.” The FWB may also have referred to the “Four Warner Brothers.” But in my research, any such slogan using the letters of KFWB never appeared in any of the popular radio magazines or newspapers of the 1920s. However, I discovered two KFWB advertisements during World War II in the 1943 and 1944 Radio Annuals, with the adopted slogan “Keep Fighting With Bonds.”


Newspaper advertisement, March 4, 1925, to promote inaugural broadcast and first remote broadcast from the Montmartre Cafe and nightclub on Hollywood Blvd., a regular KFWB feature for several years.

The Sunday March 1, 1925 issue of the Los Angeles Times announced the opening of the new station that week:

Wednesday night (March 4) at 7 p.m., another radio broadcasting station takes its place among the stations of Los Angeles. From the towers which have been erected upon the grounds of the Warner Brothers studio on Sunset Boulevard will flash the call letters KFWB...Warner Brothers, who are owners of the studio, promise a number of novelties for the opening night. KHJ, The Times, extends its best wishes for the success of this new undertaking.

When 7:00 p.m. arrived on the night of March 4, the first voice heard on KFWB’s first broadcast was Warner Brothers actor and movie colony favorite Monte Blue (1887-1963). Charlie Wellman was the station’s first announcer. Also that night, KFWB did the first of many remote broadcasts from the Montmartre Café on Hollywood Blvd. at Highland, one of Hollywood’s first successful nightclubs.

With KFWB now on the air, one purpose of the station during its first year or two was to promote and advertise movies made by Warner Brothers. One early gimmick to attract radio listeners was to place a microphone on various movie sets, so those at home listening to KFWB could “hear” motion pictures being made as they were filmed. The listeners-in heard the director’s commands given to the actors and crew, the mood music being played for the silent actors, the whir of the camera, etc. Some movie studios felt radio broadcasting would keep people at home and away from the movie theaters. But the Warner Brothers believed that radio could help their studio. They played up the glamour of Hollywood and the movies on their new station. This is evident in KFWB’s early slogan in the 1920s: “Movieland-Lights, Camera, Action”, which was heard at the beginning of the KFWB broadcasts in the station’s earliest years. Famous and not so famous Warner Brothers actors and actresses took turns as guest announcers for the station during the 1920s into the 1940s.


Only three weeks after KFWB went on the air, Variety on March 25, 1925 ran a story on radio advertising in the major U.S. cities, including Los Angeles. The item began:

With the addition of station KFWB, indications are that a war will be carried on in Los Angeles for radio advertising business. This latter station is owned and operated by Warner Brothers, picture producers. It began a campaign to get business from the other three commercial stations, KFI, KHJ and KNX.

Depending on the program, KFWB was asking $50 to $150 an hour for air time ($680 to $2,040 in 2015). Commercial speakers were asked to pay $50 for ten minutes. And the remote broadcast each night from the Montmarte Café had the restaurant/nightclub paying Warner Brothers $250 ($3,378 in 2015) for the air time from 11 p.m. to 1 a.m. KFWB already had several other sponsors signed, including a coffee company, a hotel and a mattress company. KFWB was also offering the other movie studios free use of KFWB to broadcast for one hour. By the summer, KFWB was airing a weekly talk from a real estate company on buying homes and land near Mulholland Drive.


Radio station contests were in the early stages in 1925 in an effort to attract interest in radio and new listeners. KHJ had just held a drawing to give away a new Stewart-Warner radio, with over 30,000 entries sent to the station! So, KFWB did the same thing in September of 1925 on the Monday evening “Radio Doings Technical Hour”, hosted by the magazine’s technical editor and KFSG engineer, Kenneth G. Ormiston. Listeners had to send in a 300-word letter on the topic “Why I Would Not Be without a Radio Set”. Letters were read over KFWB each week on the show and at the end of 30 days, the best letter as decided by the judges, would win a Valley Tone radio which sold for $125, and $184 (equal to $1702 and $2,505 in 2015) The radios came complete with batteries, tubes and loudspeaker.


The remote broadcast bus which toured the USA in 1926. Announcer Charlie Wellman (holding the microphone), Warner Brothers electrical engineer Frank Murphy (right), who was also KFWB’s chief engineer for a while.

Along with Frank Murphy of Warner Brothers, one of the early KFWB engineers was Ben McGlashan, who also played the part of “Big Brother” on the KFWB “Children’s Hour” program.

In 1926, KFWB engineers, supervised by Frank Murphy, converted a Moreland passenger bus into a mobile studio to send remote broadcasts back to KFWB via shortwave frequencies. On May 3, 1926, the bus began a road trip across the United States. The purpose was the stop at various Warner Brothers theaters across the United States and demonstrate how radio broadcasting works. The portable radio station had the call sign 6XBR and had a transmitter power of 250 watts on 105 meters and 40 meters. KFWB engineers Ben McGlashan and Calvin Smith were in charge of the portable radio station broadcasts each night. McGlashan and Smith left KFWB in January of 1927 to start their own Los Angeles radio station, KGFJ. Smith was later station manager at KFAC for about 30 years, while McGlashan owned KGFJ until 1964.

A story in the October 2, 1926 edition of The Evening News in Harrisburg, PA described how 6XBR and its KFWB staff would host a three-hour entertainment program outside The Broad Street Theater. A local orchestra, singers and musicians took part in the show. The article also said, “Each night at 9 o’clock, the station must be stopped in its tour, no matter where it is, in order to communicate with Station KFWB at Hollywood. Prizes amounting to $1200 are being offered by Warner Brothers to the amateur operators who send in the best reports of this nightly broadcasting.” I have included a photograph of the KFWB mobile studio bus outside the Hollywood movie studio. Standing with a KFWB microphone in his hand is station manager and announcer Charlie Wellman and next to him is engineer Frank Murphy, who designed and built the portable station.


KFWB manager/announcer Charlie Wellman and Harry G. Keiper and his Movieland Orchestra,
featured over KFWB in 1926 and 1927. About 1926.

Earlier, I briefly mentioned KFWB’s popular announcer in 1925 and 1926 was Charlie Wellman (1891-1944). He was also a singer who recorded for Brunswick Records and often sang on the air, too. Wellman would often keep listeners from tuning to another station by saying, “Don’t go away folks, don’t go away!” This soon became a popular catch phrase of Southern California radio fans at the time. Wellman was a singing announcer who came from KYW-Chicago in 1922 and moved to KHJ in Los Angeles starting in 1923. (When he returned to KHJ in 1928, he was known as “The Prince of Pep”). After two highly successful years on KFWB, Charlie Wellman took an announcing job with KMIC-Inglewood, which lasted only two months and then was heard on KGFJ at the end of 1927. He returned to KHJ by 1928.

By early 1926 Wellman was doing double-duty as both KFWB’s station manager and on-air announcer. Radio’s early years included many station announcers who also sang over the air. The idea was for the announcers to fill airtime with a song or two, just in case another scheduled singer or musician failed to show up for the broadcast. Some of the announcers also took part in one or more programs that showcased their singing talents. Don Wilson and Harry von Zell are two examples from this era of singing radio announcers in Los Angeles. Later, Charlie Wellman became more of a singer on numerous Los Angeles radio shows and became less known for his announcing.

KFWB also had its own theme song in 1925-’26! The Radio Digest story of November 14, 1925 reported that KFWB’s announcer Charlie Wellman wrote it and he sang it, at the beginning of the KFWB broadcast every night. While we don’t have the music to this song, the long-forgotten lyrics go like this:

If you want to hear a station, don’t go away folks, don’t go away!
Just turn your dial and wait a while, we’ll be on the air to stay.
We will try to make you happy, from Hollywood to Tennessee,
From Warner Brothers Studio, K-F-W-B!

Wellman seemed to be the perfect host for the nightly Warner Brothers Frolic program over KFWB, where Warners contract players went on the air often. A 1936 Los Angeles Times story on Wellman’s radio career claimed he was also the first person to broadcast a Hollywood movie premiere. On August 20, 1926, Wellman was the emcee for KFWB’s one-hour broadcast from Grauman’s Egyptian Theater for the premiere of the Warner Brothers film “Don Juan” starring John Barrymore. Whether or not it was the first movie premiere ceremony heard on radio is unknown. He regularly interviewed and introduced the Warner Brothers actors and actresses on the Warner Brothers Frolic programs in 1925 and 1926, which let movie fans hear their favorite screen personalities sing and entertain, or simply take their turn as KFWB announcer for the night. Wellman worked at other Los Angeles stations into the late-1930s, including KTM, KFI-KECA and KFAC. When Charlie Wellman left KFWB in 1927, Bill Ray was the primary announcer heard on KFWB hosting the Warner Brothers movie premieres from about 1928 into the 1930s.

One of the unannounced guests who played announcer and emcee for a short time was the head of the studio, Jack Warner. In the earliest days of KFWB, Warner, who was a big radio fan, played the part of announcer and singer “Leon Zuardo,” the name Warner had used in vaudeville. According to Hal Wallis, Zuardo would croon in the style of his idol, Al Jolson, and tell jokes to the Warner employees sitting in the studio bleachers. Wallis recalled years later that Warner was awful, but he and his co-workers applauded enthusiastically for their studio boss. In Jack Warner’s mid-1960s autobiography, he mentioned his KFWB “Leon Zuardo” performances briefly, but wrote that he retired Zuardo “after KFWB got off the ground.”


Studio staff, including station manager Gerald King and announcer Bill Ray. March 1927.

The “Jazz Age” was taking place in America in the 1920s, and in 1926, the station featured Frances St. George, the “KFWB Jazzmania Girl” on many broadcasts. By January of 1927 she was joined on the “Warner Brothers Frolic” shows by Harry G. Keiper and his Movieland Orchestra. At this time, the new KFWB Station Manager was Gerald L. King (1899-1976), who was with the station well into the 1930s. William Ray (1898-1970) was Assistant Manager, and by mid-1927, going by Bill Ray, he was also the station’s main announcer. Ray had his own Sunday night show called “Ragtime Revue.” In May of 1930, Bill Ray left the station to work as Station Manager and chief announcer at KGER in Long Beach, but he returned to KFWB by 1934.

It should also be noted that Warner Brothers used King and Ray in a few movies playing what else? Yes, radio announcers! Gerald King appeared as a radio announcer in the Warner Brothers film “The Time, the Place and the Girl” in 1929. Bill Ray was cast as a radio announcer in three movies as a radio announcer in “The Secret Bride” in 1934, and in “Poor Little Rich Girl” and “Two Against the World,” both from 1936.

At this time, more and more sponsored shows were on KFWB, along with several evening remote broadcasts from hotel orchestras, including the regular broadcast for years from the Montmartre Café. By 1928 and 1929, KFWB had expanded its broadcast hours greatly and also included live sporting events, such as the Pacific Coast League minor league baseball games during the afternoon from Wrigley Field in Los Angeles and Olympic Auditorium boxing. A January 1931 Radio Doings article said the KFWB station manager Gerald King was also a sports announcer known for his vivid descriptions of football and baseball games over KFWB. He was responsible for bringing the football and baseball broadcasts to KFWB. (The Angels games moved briefly to KMTR in 1932.) A 1934 schedule showed that KFWB was broadcasting the day baseball games, while the night games from the same ballpark were heard over KFAC. The popular singing act of the early Depression years, the Boswell Sisters, were featured on KFWB broadcasts in 1929 and 1930, before they had network shows of their own on NBC and CBS and were recording songs with Bing Crosby.


The entire article from which this picture was taken is here.

In February of 1928, KFWB got national praise from Radio Digest magazine. The Warner Brothers station was credited for helping to capture a man in Oregon who had kidnapped and murdered a young girl. KFWB station manager Gerald King, announcer Bill Ray and chief engineer Frank Murphy were at the microphone for 18 hours, helping police and the public to recognize and capture the fugitive killer, Edward Hickman. They also used KFWB to raise the reward money to help capture him. The article called the KFWB broadcast “the most amazing story of radio service in appeal and response on record.” The mayor of Los Angeles and the Police Department’s Chief of Detectives also thanked KFWB for its service in helping with the capture.


During the 1920s and ’30s, KFWB’s nighttime signal was sought by an unknown number of distant radio hobbyists. After sunset, the ionosphere reflects AM signals and sends them hundreds and sometimes thousands of miles away from the station’s transmitter. Of course, the condition of the ionosphere changes from night to night. A far away station could come in loud and clear one night with little noise or fading, and the next night, a DXer might not hear anything on the same frequency.

With less than 700 radio stations on the air before 1927 and much less man-made noise on the AM band than what we have today, DXers with a well-made radio and antenna could tune-in out-of-state stations on the east coast, even from California, if reception conditions were good.

Only one year after KFWB went on the air, the station was receiving reports of being heard on the east coast. A newspaper in Huntington, New York on Long Island printed a column for DXers in 1926. In one of those columns from August 1926, it was reported that a DXer in that city heard KFWB in Hollywood one night and received a letter of verification. The letter was printed in the newspaper and this is what was in the letter: “Your letter of recent date received and this is to confirm your reception of Warner Brothers radio station KFWB. You certainly stepped out some distance when you received our station, considering weather conditions, etc. and your letter was very interesting to us. (Signed), Charlie Wellman, Manager and Announcer of KFWB.” The columnist added, “Better proof of the reception could not be wanted, and we hope those skeptical (radio) fans around Huntington who think reception of California stations in summer is impossible, will read this letter carefully.”

Another radio fan in that area trying to hear out-of-state radio stations also logged KFWB in July of 1926, according to the same DX column in that city’s newspaper. The DX fan named Bob Angel heard the 500-watt station from Hollywood late at night and heard the faint station ID after a piano solo. The static interference was only slight. KFWB was heard again during the summer months on Long Island, New York in 1928.

Back in 1991, a veteran DXer named Eugene Martin of Denver, Colorado sent me a list from his radio logbook from 1928, when he lived in Dallas, Texas. Martin said he logged 22 stations from the Los Angeles area that winter and 500-watt KFWB was heard more than once.

By 1933, when KFWB was operating with 1,000 watts of power from its Hollywood Blvd. antenna on the roof of the Warner Brothers Theater, a distant listener in Oakhurst, New Jersey sent KFWB a signal report. John Tweedie received a letter verifying his reception report of KFWB from station manager Gerald King. We have included a copy of the letter for this article. At that time, there were only three other radio stations on 950 kilohertz with KFWB. Those were WRC in Washington, D.C.; KMBC in Kansas City, Missouri; and KGHL in Billings, Montana. Those stations were off the air by 1:00 a.m. Eastern Time, which left the frequency clear for east coast DXers to try to hear KFWB. KFWB did not go off the air for another 2½ hours, at 12:30 a.m. Pacific Time, 3:30 a.m. Eastern Time.

From 1933, when there were 599 radio stations in the United States, we jump to 1937, when 646 stations were on the air. KFWB was still getting a lot of reception reports from far-away listeners. Like many other stations, KFWB began using a pre-printed QSL card to save the chief engineer time, so he could fill in the date and time the DXer heard KFWB. Such a card was sent to Peter Clarius of Staten Island, New York. He logged KFWB on March 7, 1937 at 3:46 a.m. Eastern Time, only 14 minutes before KFWB went off the air for the night. Two years later, a similar card was sent to Norman McGuire in Bethlehem, Pennsylvania for his reception of KFWB on March 4, 1939 at 2:38 a.m. E.S.T. KFWB was using 5,000 watts of power during the day, but 1,000 watts at night. There were 722 radio stations in the United States that year.

By 1946, KFWB had increased night power to 5,000 watts, when the station’s signal was heard by radio hobbyist Robert S. Knox of Newton, New Jersey. The station had moved to 980 on the AM dial by 1946, and the change in frequency is shown on this QSL card. White’s Radio Log, in the fall of 1946, showed 7 other stations on 980 kilohertz besides KFWB, including two from Canada. Knox picked up the KFWB signal on his radio at 3:30 a.m. Eastern Time, 30 minutes before KFWB’s 1:00 a.m. Pacific/4:00 a.m. Eastern Time sign-off.

A 1955 KFWB QSL card sent to Roy Millar in Issaquah, Washington is interesting, because the verification card still shows that KFWB was owned by Warner Brothers. But, the movie studio sold the station in 1950. I guess the engineer wanted to use up all the old QSL cards that had been printed. Note that KFWB was on the air 24 hours by the time of this 2:00 a.m. Pacific Time reception on November 20, 1955. By this time, there were 22 U.S. station on 980-AM, though some of these were daytime-only operations.


KFWB antenna and towers on top of the Warner Brothers Theater Building on Hollywood Blvd. in 1930. The new transmitter/antenna site went into use on March 4, 1929 for KFWB's 4th anniversary.

After only four years of use, the highly visible KFWB transmitting antenna in front of the Warner Brothers Studio on Sunset Blvd. was being replaced. KFWB moved the transmitter and antenna to the top of the Warner Brothers Theatre building (later known as the Pacific Theater Building) at 6425 Hollywood Blvd. on the station’s 4th anniversary, on March 4, 1929. While trying to make early sound movies at the Sunset Boulevard lot, the audio from the KFWB transmitter on Sunset kept getting onto the soundtrack of the movies being filmed.

So, the engineering department decided it was best to move the transmitter away from the movie sets. KFWB studios were also gradually moved to the Hollywood Boulevard site.

(By 1937, KFWB’s transmitting site was moved from the roof of the Warner Theater Building in Hollywood to the Baldwin Hills area on La Cienega Blvd., south of where KABC is today. Here, for the first time, the station used a vertical radiator, the type of AM tower or antenna that we’re familiar with today, which sent out a more reliable signal over the L.A. Basin. In the late-1950s, KFWB moved its transmitter to its present location, a 3-tower site in East Los Angeles near the 5/10-freeway interchange, which is shared with KLAC-570.)

The date of KFWB’s fourth anniversary in 1929, March 4, also marked the beginning of a monthly coast-to-coast network broadcast which originated in the KFWB studios and traveled east over the stations of the Columbia Broadcasting System (CBS). Famous names from stage and screen were heard on this program, along with outstanding musical talent of Southern California.

Some of the featured performers on that inaugural CBS national broadcast included Al Jolson, Monte Blue, Conrad Nagel, and Earl Burtnett’s Biltmore orchestra. The monthly network programs from KFWB over CBS were to go on the air on the regular Vitaphone Jubilee Hour. KFWB and KMTR carried several CBS network programs in Los Angeles in 1928 and 1929. But, in July of 1929, CBS announced that KHJ would be the network’s permanent Los Angeles affiliate, which began on January 1, 1930.

In the October 12, 1929 issue of Radio Doings, KFWB promoted the fact that the Warner Brothers Studios had bought First National Pictures in Burbank and that the movie studio was moving soon to that movie lot. For instance, Monday nights at 9 p.m., KFWB listeners heard “The First National Hour”, which featured Leo Forbstein and his Vitaphone Recording Orchestra, along with First National stars and players. The station also featured the KFWB Concert Orchestra, music from the Roosevelt Hotel in Hollywood, a mystery serial called “Who Killed the Caretaker”, USC football from the Coliseum (along with several other L.A. stations), and on Sunday mornings at 8:30 a.m., The Funny Paper Man. Comedian Jack Benny made one of his earliest, if not his first radio broadcast, over KFWB on the night of April 26, 1930. This was the National Vaudeville Association Benefit Show, broadcast from the Shrine Auditorium and sponsored by MJB Coffee.

Radio drama was gaining in popularity during the early 1930s, and by 1932, KFWB was one of five stations in L.A. using paid dramatic actors on its local programs. A KFWB producer/writer/actress named Kay Van Riper presented dramatic programs such as “English Coronets” and “American Caravan” between 1932 and 1935. One of her regular radio actors on the KFWB shows at that time was Gale Gordon, who later went on to act on many network radio shows, and was best known in later years on television in “Our Miss Brooks” and “The Lucy Show”, plus many other guest roles on various shows.


The radio industry was not immune from being hit hard by the Depression in the early 1930s. In the October 15, 1931 issue of Broadcasting, the magazine reported that “KFWB, Hollywood, a year ago showed a $12,000 deficit during the summer season. This year it is reported as having come out of the red and made a small margin of profit besides. Warner Bros., owners, imposed a 25 per cent salary cut early in the summer.” By contrast, in some of my earlier research, I discovered that radio station KFOX in Long Beach also had employees take pay cuts around 1932-’33 and that KFAC-Los Angeles operated at a small loss in 1934, but showed a profit of $568 during the first nine months of 1935.


By mid-June of 1931, a total of five Hollywood movie studios were hooked up with a radio station to promote their product. KFWB was still the only radio station to be owned and operated by a movie studio in the film capitol. According to the June 16, 1931 issue of Variety, station KMCS-1120-AM in Inglewood had made a deal with Metropolitan-Christie-Studio to promote the Metropolitan Studio and Christie comedy films. The deal turned out to be short-lived and by January of 1932, KMCS moved to downtown Los Angeles’ Arcade Building on Spring Street and became KRKD (known today as KEIB-1150).

Variety added that other radio stations to be directly affiliated with a movie studio included KMTR (now KLAC-570) which had recently moved to the United Artists movie studio; KFVD (now KTNQ-1020) which was broadcasting from the Hal Roach Studio in Culver City; and KNX, located on the Paramount Studio lot.

The article said that while KFWB was used to plug Warner Brothers’ movies and local Warner Brothers’ theaters, the station was selling air time to Fox-West Coast each week, until KFWB decided it was competition with its own theaters and refused copy, only to retract several days later.

An earlier Variety article from January 21, 1931 was similar in nature. It stated that KNX, on the Paramount lot, had an hourly announcement exploiting Paramount’s product. The studio also used about 5 hours a week over KNX to have Paramount stars make personal appearances before the KNX listening audience. United Artists used KMTR in much the same way. Tec Art and Metropolitan studios paid for time from KFOX and KMCS respectively. The article said, “Both studios will hold out the air plugs as bait to independent producers leasing space on the lots.”

KNX moved off the Paramount lot in 1933. KMTR had moved off the United Artists lot by 1938. KFVD had moved off the Hal Roach lot by 1933.


1945 advertisement

During August of 1934, announcer Al Jarvis started a program on KFWB, during which he played phonograph records, but made it sound as if he were introducing tunes being played by live bands at dance remotes. Jarvis first tried out this type of record program in 1932 and ’33 at KELW, KFAC, KMTR and KMPC in the Los Angeles market. But Station Manager Gerald King believed that the show would do much better on KFWB, so he hired Al Jarvis. Jarvis called his program “The World's Largest Make-Believe Ballroom”, and it was probably one of the earliest examples on U.S. radio of a disc jockey radio show, in which the announcer injected some of his own personality into the program, while giving added details about the song and the singer or a certain band and band leader. It was not just a stiff reading of the song title and the artist that was so often heard in the 1920s and early ’30s on radio. Since the job title of “disc jockey” did not come into use until the 1940s, local radio columnists called Jarvis “the record man,” “a record spinner,” or a “record commentator.”

When KFWB had some trouble selling the record program to advertisers, Jarvis asked station manager Gerald King to find a substitute host, while Al attempted to sell the show himself. Martin Block, who had previously worked a while with Al Jarvis at KMPC, was hired to do the show in Jarvis’ place. Later, Block and Jarvis had a misunderstanding and Block left KFWB. In 1935 Block was hired at WNEW-New York, and started his version of “Make Believe Ballroom”, which he had copied from Jarvis, and it ran for many years on the east coast. But, there is no doubt that Jarvis created the “Make Believe Ballroom” record program. Jarvis tried to sue several times to stop Block from using the title Make Believe Ballroom for his WNEW programs, but was unable to win his case.

In 1959, former KFWB Gerald King wrote a letter to Broadcasting magazine. He stated that it was Al Jarvis who created the Make Believe Ballroom show and not Martin Block, and he told the story how he hired Jarvis in 1934 and later used Block as a temporary substitute host. The complete letter is here.

Jarvis hosted Make Believe Ballroom at KFWB into 1937, then took the show to KMTR-570 (now KLAC). This pioneer disc jockey returned to KFWB from September 1939 until March of 1946, then moved again to KLAC for several years. He came back to KFWB once more in February of 1953 and stayed through the station’s “Color Radio” Top 40 music days, until March of 1960, and was back briefly in 1962.


Hollywood movie premieres had been staples of Los Angeles radio since the 1920s. And I mentioned earlier that KFWB’s Charlie Wellman covered a Warner Brothers film premiere in 1926. The opening nights for new movies in Hollywood still had radio listeners tuning in during the 1930s. Most L.A. stations took part in such broadcasts, but KMTR in Hollywood and KFWB, with studios on Hollywood Boulevard at the Warner Brothers Theater, seemed to broadcast most of these ceremonies.

An example of KFWB promoting a Warner Brothers film is described in the Los Angeles Times of August 30, 1934 on the radio page. The brief item said that “the Busby Berkley musical “Dames” will be given its premiere at Warner Brothers Hollywood Theater at 8:30 p.m.” The brief story said “KFWB’s microphones will be installed along the boulevard, on the sidewalks, over the theater lobby, at the entrance of the theater and across the street to pick up the atmosphere, music and color of the occasion. Announcer Bill Ray is to introduce the stars, with the assistance of Al Jolson, Dick Powell, Hugh Herbert and Guy Kibbee.” Jolson, who starred in “The Jazz Singer” in 1927 for Warners, had been a longtime favorite of Jack Warner and had been heard on several KFWB broadcasts since the late-1920s.

On YouTube is a clip (below) of a 1931 movie premiere on KFWB at the oening of Warner's Wiltern Theater in 1931, and KFWB announcer Bill Ray, who was emcee for most of the WB movie premiere broadcasts in the '30s, can be seen in this clip.


Warner Brothers took some time out from making movies to celebrate KFWB’s 10th anniversary on the air, on the night of March 4, 1935. Los Angeles Times radio columnist Carroll Nye gave his readers a rundown of plans for the special broadcast:

They’re going to blow off the lid at KFWB with an extravaganza beginning at 8:30 p.m., in celebration of the station’s tenth anniversary. Harry Warner, president of Warner Brothers, is to be special honor guest, and listeners will hear an hour-and-a-half show produced and directed by Benny Rubin and Bill Ray.

“Frank Murphy, “Daddy of KFWB,” will introduce Monte Blue, who spoke the first words over the station at its inaugural broadcast ten years ago today, and a large company of screen and radio stars will contribute to the entertainment. Among those billed are the Dudley Chambers Choral Group, Josephine Hutchinson, George Brent, Kay Francis, Warren Williams, Bette Davis, Ruth Connelly, Guy Kibbee, Lyle Talbot, Warren and Dubin, tunesmiths; Phil Regan, Al Jolson, Hugh Herbert, Joan Blondell and Dorothy Dare.” Warner’s musical star Dick Powell also took part in the KFWB broadcast that night.

At the 10th anniversary of station KFWB on Mar. 4, 1935, are left to right, front: Warren William; Bette Davis; Benny Rubin; Dick Powell, and Wini Shaw. Left to right, center: George Brent; Monte Blue; Ed Schubert and Jerry King, the radio station manager. Left to right, rear: Harry Seymour; Lyle Talbot; Al Jolson, Harry Warren, songwriter; Bill Ray, and Frank Murphy, chief technician of KFWB.

A feature story in the May 1, 1935 issue of Broadcasting magazine included several photos taken during the KFWB tenth anniversary broadcast at Warner Brothers. To see that article and the photos, click here here and scroll down to page ten.

KFWB also placed several ads in Broadcasting during their tenth anniversary year of 1935, featuring several Warner Brothers stars. One featuring Dick Powell is here.


Sons of the Pioneers at KFWB mic, Jan. 1934, for a Hollywood Chamber of Commerce Luncheon, broadcasting their music live. Bob Nolan, Leonard Slye, Tim Spencer. By 1938 Slye changed his name to Roy Rogers.

Another 1930s favorite, which became very popular on KFWB, was a program featuring the western singing group “The Sons of the Pioneers.” Gerald King got them on KFWB in 1934. One of the singers in the group was Leonard Slye, who became better known in western movies as Roy Rogers. The western group was first called “The Pioneer Trio.” But KFWB announcer Harry Hall, who was assigned to their program, told them that they looked too young to be pioneers. So, he said from that point on, they would be known on the air as “The Sons of the Pioneers,” and the name stuck.

Voice actor Mel Blanc got his first regular radio job in L.A. in 1937 on the Johnny Murray show on KFWB. This led to Warner Brothers Pictures signing him to his first contract with the movie studio’s cartoon department, where he created the voices of Bugs Bunny, Porky Pig, Daffy Duck and countless others.

On August 1, 1936, Gerald King resigned as General Manager of KFWB, due to differences on policy matters with Jack L. Warner, head of Warner Brothers Studio. King continued his work as president of Standard Radio Inc., a producer of radio transcription programs. King had been KFWB’s station manager since January 1927. The man who took over KFWB from King was Harry Maizlish, who had previously been a publicity man for the movie studio. Maizlish decided that former KFWB announcer Bill Ray would become the new sales manager for the station.

At this same time, new KFWB studios were being built at 5833 Fernwood Avenue near Van Ness in Hollywood, which opened in 1937. This was one block south of Sunset and Bronson, close to where the station began in 1925. In 1936, KFWB was operating with 2,500 watts day and 1,000 watts night, but would soon have a new transmitter site in Baldwin Hills, with a power boost to 5,000 watts. Also, in June of 1937, Al Jarvis left KFWB after three years to take his Make Believe Ballroom show to KMTR-570. He would be back before too long.


Ronald Reagan holding a KFWB microphone talking to two Alabama players before the New Years Day Rose Bowl game against California. December 1937.

In June of 1937, an Iowa radio announcer and sportscaster was signed by Warner Brothers Studio as a movie actor. A few months earlier, Ronald “Dutch” Reagan was covering the Chicago Cubs Spring Training on Catalina Island for WHO radio in Des Moines, Iowa. During his time in Southern California, he got Warner Brothers to give him a screen test, and they liked what they saw. In his first film, “Love Is in the Air,” Reagan played the part of a radio announcer.

At the end of the year, WHO was getting ready to carry the NBC network feed of the New Year’s Day Rose Bowl football game from Pasadena, California. Just before January 1, 1938, WHO decided not to carry the NBC feed of the game. Instead, they persuaded Warner Brothers to allow their former sportscaster Ronald Reagan to announce the play-by-play of the game between Alabama and California over KFWB and WHO simultaneously. The special telephone line to carry the game from Pasadena to Des Moines cost WHO more than $1,600 (more than $27,000 in 2015). The Los Angeles Times radio column from January 1, 1938, said Reagan would be assisted during the game by Jere O’Connor and Manning Ostroff. O’Connor was KFWB’s special events director at the time. Ostroff was on the staff of KFWB as an announcer, producer and writer. He was also a producer for Eddie Cantor’s radio and television programs.

Only two months later, when KFWB was covering the heavy rains and flooding in the Los Angeles area, Warner Brothers asked Ronald Reagan to help the station report on this emergency. And in April of 1938, KFWB and several other stations around California and across the United States aired the first episode of a series called Warner Academy Theater. The first radio play was “One Way Passage,” an adaptation of an earlier Warner Brothers movie. Ronald Reagan was the male lead in this radio play over KFWB. To hear this broadcast, click here.

1937 advertisement.

1939 TO 1945

In September of 1939, Variety reported that “Al Jarvis, the creator of Make Believe Ballroom on KFWB five years ago, returns to the Warner station for a five-time weekly broadcast of the feature.” The program was still one hour long, from noon to 1:00 p.m. During the same year, KFWB started broadcasting dramatized versions of historical and current news events of the day. One of these programs, designed to stimulate appreciation of America’s democratic ideals, was “America Marches On,” which featured movie stars from Warner Brothers. Other entertainment shows from the late ’30s on KFWB were "Let's Go Hollywood", “Can You Write A Song?", "Take the Air" and "Amateur Authors". Also in 1939, Frank Bull began a disc jockey record show on KFWB, “America Dances,” which lasted on the station until 1956. Bull was also a sportscaster who hosted another KFWB program, The Sports Bulls-Eye with Frank Bull.

Ronald Reagan’s brother, Neil Reagan, was also a radio announcer and soon moved to Hollywood to work for KFWB. He became the station’s program director by 1944. An aircheck recording exists of KFWB covering the stars arriving for the Academy Awards on March 2, 1944, with Neil Reagan the announcer. The KFWB program lasts 29 minutes. The remaining 24 minutes consists of the CBS West Coast/KNX radio coverage of the Oscar winners that night with Ken Carpenter and Jack Benny. Here’s a link to hear this recording:


By 1938, KFWB’s chief announcer was Harry Hall and the Station Manager was still Harry Maizlisch. Hall was on the KFI announcing staff back in 1929. Joe Yocum was the KFWB chief announcer in the 1940s. A show that was popular then was "Preview Theatre", which turned popular novels into radio plays. A broadcast of that program, starring a young June Lockhart and Freddie Bartholomew, was heard on KFWB when Pearl Harbor was bombed on December 7, 1941.

All of the Los Angeles radio stations were extremely busy and involved in the war effort during World War II. KFWB was no different. In 2014, it was announced that a transcription disc recorded from the KFWB D-Day broadcast on June 6, 1944 had been found at USC, broken in half, and then restored. On June 8, 2014, a KCAL television news report told the story of the KFWB recording from 1944 and played a few audio clips from the transcription disc. You can hear that report and the KFWB announcer’s D-Day report at this link:


Advertisement for Hal Styles, KFWB announcer and program host/MC, 1946.

Hal Styles (1895-1975), who had been in Los Angeles radio since 1932, brought his popular program “Help Thy Neighbor” from KHJ to KFWB in 1940. He stayed at the Warner Brothers station into the late-1940s. “Help Thy Neighbor” began as a way to find jobs for the unemployed in Southern California, but later evolved into other ways of helping people. In seven years, the program was credited with finding jobs for 35,000 people. By late July of 1944, Styles had hosted another show for KFWB, “Good Samaritan of the Airways.” When that show went off the air, he was heard on KFWB hosting three other programs that same year. Those were “Hal Styles’ Scrapbook of Life,” which aired Monday through Friday; “Young America Speaks” on Saturdays and “Lest Ye Forget” on Sundays.

Also in 1944, Styles ran for Congress in the Hollywood district of Los Angeles as a Democrat. KFWB Station Manager Harry Maizlish had the idea to run Styles for Congress and he also managed Styles’ campaign against the Democratic incumbent Joseph M. Costello. Costello had been criticizing some motion picture people (KFWB was owned by Warner Brothers Studio), and they felt they needed a new congressman. He won the primary election to defeat Costello. But, later reporters learned that Styles had been a leader of the Ku Klux Klan in New York State in 1926. Styles admitted joining the Klan but in 1930 he resigned, then wrote a series of newspaper articles, which harshly criticized the organization. Voters didn’t buy his explanation. In the November general election, Styles lost to the Republican nominee, Gordon McDonough, by 26,605 votes. It was Styles’ one and only time he ran for public office.

By 1945, Hal Styles had started a radio broadcasting school in Beverly Hills. He also hosted an audience participation show on KFWB during 1945 and ’46, “So You’d Like to be in Radio.” It was a scripted show with guest stars and radio actors. Each week, a winner was awarded a scholarship to the Hal Styles School of Radio. The radio school lasted into the early 1950s and Hal Styles left radio and did “Help Thy Neighbor” on television for a few years. By 1956, he became a minister founded a non-denominational church in Reseda. He led that church until his death in 1975.

While at KMTR and KHJ in the 1930s, Hal Styles was billed sometimes as the world’s fastest talking announcer, who was able to speak at a rate of 450 words per minute. He won a radio diction contest in 1928 and was once in a contest over the air on KFI against KFI and KECA announcers who tried to keep up with his speedy talking style.


1947 advertisement.

In March of 1946, seven years after returning to KFWB from KMTR, Al Jarvis quit his show at KFWB and took Make Believe Ballroom back to KLAC-570 in Hollywood (call change from KMTR took effect March 7th). His new salary for the KLAC job was reportedly $250,000 or $3.2 million in 2014 dollars. The story on his move from KFWB to KLAC appeared in Variety on March 6, 1946. Another story on March 1, 1946 in Variety stated that Jarvis had just celebrated the 14th birthday of his Make Believe Ballroom show, which means the program started in 1932, likely while Jarvis was still on the air at KELW in Burbank.

During 1947, with Al Jarvis’ Make Believe Ballroom on KLAC at noon Monday through Friday, KFWB hired Martin Block to do his version of the show at the same time as Jarvis’ show. In the July 18, 1947 issue of Variety, it was reported that “Hooper Rating KLAC ordered on rival KFWB’s Martin Block and its own Al Jarvis over the month of June, shows Jarvis to be leading by one point. He has figure of 6.2 and newcomer Block holds 5.2, according to the report submitted.” The story said “since Jarvis has been familiar to Southern California radio listeners since at least 1933, it is likely one of the reasons Jarvis has the slight edge over Block in the ratings battle.” Block had been on the air in Los Angeles only one month, after leaving WNEW-New York.

Block, who had worked with Jarvis at KMPC and KFWB in 1934, before taking Jarvis’ idea for Make Believe Ballroom to New York in 1935, was recording a version of the show to be played back in New York on WNEW, after his arrival at KFWB.

Soon after Block’s June 1947 arrival in Hollywood, KLAC and KFWB decided to give Southern California music fans three hours of Jarvis and Block from 10 a.m. to 1 p.m., Monday through Friday. But the hype that surrounded Martin Block’s arrival on the Los Angeles airwaves to compete against Al Jarvis in the battle of the disc jockeys, ended all too quickly.

Both Broadcasting and Variety reported during the first week of October 1947 that Martin Block had severed relations with KFWB by mutual consent, after fulfilling only four months of his three-year contract. In doing so, Block agreed not to appear on Los Angeles stations before June 1, 1950, the end of the contract. KFWB asked to be released from its obligation to the Mutual Broadcasting System, which was taking Block’s shows from KFWB for a network broadcast. Block continued to broadcast on the Mutual network, from KHJ in Hollywood.


By 1950, KFWB had changed its programming to include mostly news, sports and popular music, with disc jockeys playing the latest hit records. In October of 1950, Warner Brothers decided to sell KFWB. Broadcasting magazine reported in its issue of October 2, 1950 that the FCC had approved the movie studio’s $350,000 sale of KFWB to a new firm, headed and controlled by the station’s General Manager, Harry Maizlish. The sale price would equal roughly $3.5 million in 2015. Maizlish had been KFWB’s station manager since 1936.

By September of 1956, Mr. Maizlish sold KFWB to Crowell-Collier for $2.35 million (equivalent of $20.5 million in 2015).


December 1958 KFWB playlist and photos of disc jockeys showing veteran Big Band/swing era KFWB DJ Al Jarvis was now playing Top 40 and rock and roll music.

On January 2, 1958 KFWB became L.A.’s first full-time Top 40 rock and roll station under Program Director Chuck Blore. An enormous line-up of talented radio personalities entertained listeners with the “Color Radio” format for several years and made the station number one in the ratings. The long list of DJs on this station has been highlighted many times over the years. To name just a few, it started with the original air personalities who were called the “Seven Swinging Gentlemen” (Bruce Hayes, Al Jarvis, Joe Yocam, Elliot Field, B. Mitchell Reed, Bill Ballance and Ted Quillin). Al Jarvis had been playing records on KFWB on and off since 1934, and was creator of his popular “Make Believe Ballroom” show.

Chuck Blore wanted Jarvis to be part of his Color Radio KFWB line-up of air personalities, but Jarvis was not a big fan of the Top 40 music format or rock and roll. Jarvis told Blore, “That’s like asking Picasso to paint a house.” But Blore persisted and Jarvis came through for KFWB from 1958 until March of 1960. In fact, Blore said that during those years, KFWB-Channel 98 in Los Angeles averaged a 34 share rating, but Al Jarvis had the highest rating of all the KFWB disc jockeys, with a 42 share! The next closest radio station in the ratings was KMPC with an 8.8.

The Top 40 format continued at KFWB with others such as Gene Weed, Gary Owens, Jim Hawthorne, Sam Riddle, Jimmy O’Neill, Roger Christian, Wink Martindale, Larry McCormick and at the end of its music years, the team of Al Lohman and Roger Barkley.

KFWB All-News 98 remote broadcast car in the parking lot at 6230 Yucca St., 1970s.

In 1966, Group W (Westinghouse) bought KFWB, and on March 11, 1968, the station dropped the Top-40 music format and changed the its programming to all-news. For many years, Southern California listeners of KFWB heard the familiar slogan, “You give us 22 minutes, we’ll give you the world.”

After 80 years in Hollywood, KFWB moved from its Yucca Street studios on June 24, 2005. (On August 11, 2005, KFWB’s all-news rival, KNX, became the last radio station to move from Hollywood)

KNX and KFWB, co-owned by Infinity Broadcasting at the time, moved into a high-rise building at 5670 Wilshire Blvd., southwest of Hollywood. Three co-owned FM stations, KLSX at 97.1, KTWV-94.7 and KRTH-101.1, also moved into this building.

After Viacom split from CBS in 2005, Infinity changed its name to CBS Radio. Beginning in 2008, KNX and KFWB were jointly branded as CBSNewsRadioLA. The CBSNewsRadioLA brand was used for simulcasted special programming and for marketing to advertisers. In addition, there were no longer separate field reporters for KNX and KFWB, and CBSNewsRadioLA reporters filed stories for both stations.

On September 8, 2009, KFWB began a news-talk format, adding several syndicated talk shows to its programming. On November 2, 2011, CBS Radio placed KFWB into a trust headed by Diane Sutter, under the name The KFWB Asset Trust. The was because of CBS Corporation’s ownership limitations after the company bought KCAL-TV nine years earlier.

On September 22, 2014, KFWB changed formats to become an all-sports station, calling itself “The Beast 980.”


There’s no doubt that 90 years ago, entertainment history was made when the Warner Brothers movie studio got into the radio business, when they put KFWB on the air on March 4, 1925. Motion pictures and radio joined forces to promote the Warner Brothers brand and the radio station was only a step away from changing silent movies into movies with sound. In between, there was a lot of air time and history that was made at the Warner Brothers radio station, KFWB.

Studio boss Jack Warner (1892-1978) was quoted in Radio Digest magazine in November of 1925, only 8 months after KFWB began broadcasting. Warner had this to say about radio and the movies:

There are some who think that in attaching a radio station to our picture studio, we are fighting our own interests and creating a formidable opponent for ourselves. We believe the contrary to be the case and are confident we are increasing the number of our friends and patrons, for the entertainment we nightly broadcast, places us in more intimate contact with the public and increases the friendly feeling they have for Warner Brothers. We are using radio as it is today–not what it will be tomorrow, although I confidently expect that in time, the radio and the picture business must join forces permanently to produce a superior type of entertainment that will combine all the elements of the stage, the screen and radio.

The late Gary Franklin was a reporter for all-news KFWB between 1972 and 1980. In 2002, he told this story to LARADIO.com about a time he ran into Jack Warner at an event he was covering for KFWB: “During my early years with KFWB, the early 1970's, I would often run into Jack Warner at premieres and such. I guess he was getting on in years ... but whenever he spotted me, he'd point at the KFWB logo on my over-the-shoulder Sony ... and say, "You know what that stands for? Kinda Funny Warner Brothers ... I used to own you guys." Yes, Jack, you certainly did own KFWB for 25 years. I hope you enjoyed my look at the Warner Brothers’ years of KFWB ownership and remembering KFWB’s pioneer days 90 years ago.

Jim Hilliker
December 3, 2015


  • dday1.mp3, dday2.mp3 Recently discovered and restored recordings of KFWB D-Day broadcasts


  • kfwb1 Jack Warner and Harry Warner at KFWB microphone in first studio, 1925. Sign on wall says "Silence during broadcasting will be appreciated." Perhaps taken for the first broadcast; otherwise, looks like circa 1925-'26.
  • kfwb40 Newspaper advertisement, March 4, 1925, to promote inaugural broadcast and first remote broadcast from the Montmartre Cafe and nightclub on Hollywood Blvd., which was a regular KFWB feature for several years.
  • kfwb39 1925 program schedule
  • kfwb44, kfwb44a Radio Digest, Nov. 14, 1925. In the middle photo, the man in the middle singing into the microphone is Monte Blue, who spoke the first words heard on KFWB.
  • kfwb41 Postcard showing the transmitting antenna in front of the Sunset Blvd. Warner Brothers Studio.
  • kfwb42 Picture postcard showing another view of the building and part of the antenna towers, but not the wire antenna that was strung between the towers.
  • kfwb45 Circa 1926, KFWB manager and announcer Charlie Wellman and Harry G. Keiper and his Movieland Orchestra, featured over KFWB in 1926 and 1927.
  • kfwb43 Remote broadcast bus, which toured the USA in 1926. The man holding the microphone on the left is announcer Charlie Wellman. To his right was Warner Brothers electrical engineer Frank Murphy, who was also KFWB's chief engineer for a while.
  • kfwb28 Radio Digest, Jan. 9, 1926
  • kfwb31 March 1927, studio staff, including station manager Gerald King and announcer Bill Ray.
  • kfwb32 1927 advertisement for Herman Heller and his Vitaphone Recording Orchestra
  • kfwb33 Radio Doings, Jan. 1927, Bill Ray of KFWB is interviewing George Young, the 17-year-old Canadian who won the swimming contest from Catalina Island to the mainland.
  • kfwb37 1927 program schedule
  • kfwb29 Gerald King, Frank Murphy and Bill Ray, who spent 18 hours on the air, helping police capture a murder suspect. Feb. 1928 Radio Digest.
  • kfwb34 Greatest radio manhunt in history, Feb. 1928
  • kfwb30 September 1929, appears to be a contract for someone paying to advertise over KFWB for one month.
  • kfwb38 1930 program schedule
  • kfwb35 KFWB antenna and towers on top of the Warner Brothers Theater Building on Hollywood Blvd.in 1930. The new transmitter/antenna site went into use on March 4, 1929 for KFWB's 4th anniversary.
  • kfwb36 1930 Same building, closer shot, with part of one antenna tower seen on roof and you can clearly read the sign for the Warners Theater and KFWB.
  • kfwb18 Montmartre Cafe, 1930
  • kfwb16 Sons of the Pioneers at KFWB mic, Jan. 1934, for a Hollywood Chamber of Commerce Luncheon, broadcasting their music live. Singer in middle with Bob Nolan and Tim Spencer is Leonard Slye. By 1938 Slye changed his name to Roy Rogers.
  • kfwb4 1935 ad with Warner Brothers star Dick Powell
  • kfwb5 At the 10th anniversary of station KFWB on Mar. 4, 1935, are left to right, front: Warren William; Bette Davis; Benny Rubin; Dick Powell, and Wini Shaw. Left to right, center: George Brent; Monte Blue; Ed Schubert and Jerry King, the radio station manager. Left to right, rear: Harry Seymour; Lyle Talbot; Al Jolson, Harry Warren, songwriter; Bill Ray, and Frank Murphy, chief technician of KFWB.
  • kfwb17 Dick Powell at KFWB mic in 1937 Warner Brothers movie The Singing Marine
  • kfwb3 Ticket to KFWB radio show at its Fernwood Street Studios, 1937
  • kfwb15 1937 advertisement tied into new Philco Radios
  • kfwb10 December 1937 newspaper story promoting Rose Bowl game broadcasts, showing Ronald Reagan for KFWB/WHO broadcast on 1-1-38.
  • kfwb11 December 1937, Ronald Reagan holding a KFWB microphone talking to two Alabama players before the New Years Day Rose Bowl game against California.
  • kfwb8 1939 talk program
  • kfwb22 1939 advertisement
  • kfwb23 1943 advertisement
  • kfwb24 1944 advertisement
  • kfwb9 DJ Gene Norman, on KFWB 1944 to 1952.
  • kfwb25 1945 advertisement
  • kfwb27 1945 advertisement, Al Jarvis
  • kfwb12 Hal Styles at left on broadcast of his show So You Want to Be in Radio, 1945
  • kfwb19 Nat King Cole, Al Jarvis, Buddy Rich, and Frank Sinatra, pre-1946
  • kfwb6 1946 advertisement for Hal Styles, KFWB announcer and program host/MC
  • kfwb26 1947 advertisement
  • kfwb14 1947 advertisement with Martin Block promotion
  • kfwb46 Variety, Aug. 1947. Bill Ray, who left KFWB for a time, came back in 1947.
  • kfwb2 1950 disc jockeys advertisement
  • kfwb21 Broadcasting, 11-6-1950. Completing the sale of KFWB Warner Bros. Pictures Inc. to KFWB Broadcasters Corp. (l to r): E. L. DePatie, studio manager, Warner Bros. Pictures; Harry Maizlish, KFWB general manager; Harry M. Warner, Warner Bros. president, and Herbert Freston, Freston & Files, Los Angeles law firm, legal counsel for Warner Bros. Mr. Maixlish, head of the new company, owns 51 % of the stock with the other 49% owned by the Lansing Foundation, a non -profit organisation.
  • kfwb20 Xavier Cugat was heard often over KFWB between 1928 and 1931 both as a solo artist and as part of an Argentine violin trio from the Montmartre Cafe in Hollywood.
  • kfwb13 December 1958 KFWB playlist and photos of disc jockeys to show veteran Big Band/swing era KFWB DJ Al Jarvis was now playing Top 40 and rock and roll music.
  • kfwb47 Broadcasting magazine letter to the editor re “Make Believe Ballroom”
  • kfwb7 KFWB All-News 98 remote broadcast car in parking lot, 1970s. 6230 Yucca St.
  • QSL cards kfwb48a kfwb48b kfwb49a kfwb49b kfwb40a kfwb50b kfwb51a kfwb51b kfwb52 (images courtesy of the Committee to Preserve Radio Verifications, Jerry Berg)


KFWB Switching to All-Sports Format as AM Radio Fights for Survival, Los Angeles Times, Sept. 2, 2014

Jim Hilliker is a former radio broadcaster. He has researched and written about the early history of Los Angeles area radio for more than 20 years. Email: jimhilliker@sbcglobal.net.

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