**Lettering of triangles.** Richard Rawlinson in a pamphlet
prepared at Oxford sometime between 1655 and 1668 used *A, B, C*
for the sides of a triangle and *a, b, c* for the opposite
angles. In his notation, *A* was the largest side and *C*
the smallest (Cajori vol. 2, page 162).

Leonhard Euler and Thomas Simpson reintroduced this scheme many years
later, Euler using it in 1753 in *Histoire de l'académie de
Berlin* (Cajori vol 2., page 162). Euler used capital letters for
the angles.

In 1866, Karl Theodor Reye (1838-1919) proposed the plan of using
capital letters for points, lower case letters for lines, and lower
case Greek letters for planes in a remarkable two-volume work on
geometry, *Die Geometrie der Lage* (Cajori vol. 1, page 423).

As early as 1618, an anonymous writer of the Appendix in the 1618
edition of Edward Wright's translation of John Napier's "Mirifici
logarithmorum canonis descriptio" labeled the right angle of a
triangle with the letter *A*:

It will bee conuenient in euery calculation, to haue in your view a triangle, described according to the present occasion: and if it bee a right angled triangle, to note it with Letters A.B.C: so that A may bee alwayes the right angle; B the angle at the Base B.A and C the angle at the Cathetus CA [sic].Cf. page 3 of "An Appendix to the Logarithmes of the Calculation of Triangles, and also a new and ready way for the exact finding out of such lines and logarithmes as are not precisely to be found in the Canons", in John Napier's "A description of the Admirable Table of Logarithmes ...", London, Printed for Simon Waterson, 1618

James W. L. Glaisher (1848-1928) has remarked that the letter *A*
is taken to be the right angle in the right-angled triangle *ABC*
in order that *BA* may represent the BAse, and *CA* the
CAthetus, the first two initials indicating the words. The fact that
this lettering was also employed by William Oughtred (1574-1660) in
his books is one of the many arguments in support that Oughtred might
be the author of the "Appendix" (Cajori vol. 2, p. 154).

**Angle.** Pierre Hérigone (1580-1643) used both
and < in
*Cursus mathematicus.* This work was published in 1634 and in a
second edition in 1644. Cajori lists the symbols from the 1644
edition, which shows both angle symbols (Cajori vol. 1, page 202).

**Arc.** The arc symbol appears in the middle of the twelfth
century in Plato of Tivoli's translation of the *Liber embadorum*
by Savasorda (Cajori vol. 1, page 402).

**Circle.** Heron used a modified circle with a dot in
the center to represent a circle around A. D. 150 (Cajori vol. 1, page
401).

Pappus used a circle with and without a dot in the center to represent a circle in the fourth century A. D. (Cajori vol. 1, page 401).

**Triangle.** Heron about A. D. 150 used a triangle as
a symbol for triangle (Cajori).

**Congruence.** Gottfried Wilhelm Leibniz (1646-1716) introduced
for congruence in an unpublished manuscript of 1679 (Cajori
vol. 1, page 414).

The first appearance in print of Leibniz' sign for congruence was in
1710 in the *Miscellanea Berolinensia* in the anonymous article
“Monitum,” which is attributed to Leibniz (Cajori vol. 2, page 195).

In 1777, Johann Friedrich Häseler (1732-1797) used
(with the tilde reversed) in *Anfangsgründe der Arith., Alg.,
Geom. und Trig.* (Lemgo), *Elementar-Geometrie* (Cajori vol.
1, page 415).

In 1824 Carl Brandan Mollweide (1774-1825) used the modern congruent
symbol in *Euklid's Elemente* (Cajori vol. 1, page 415).

**Radius.** Leonhard Euler introduced the use of *R* for the
radius of the circumscribed circle and *r* for the radius of the
inscribed circle (Boyer, page 495).

**Degrees.** The symbols for degrees, minutes, and seconds were
used by Claudius Ptolemy (c. 85-c. 165) in the *Almagest*.
However, the notation differed somewhat from the modern notation, and
according to Cajori (vol. 2, page 143), “it is difficult to uphold”
the view that our signs for degrees, minutes, and seconds are of
Greek origin.

The first modern appearance of the degree symbol ° Cajori found
is in the revised 1569 edition of *Gemma Frisius, Arithmeticae
practicae moethodus facilis* by Gemma Frisius (1508-1555), although
the symbol appears in the Appendix on astronomical fractions due to
Jacques Peletier (1517-1582) and dated 1558. Cajori writes:

This is the first modern appearance that I have found of ° forErasmus Reinhold (1511-1553) used ° ' " inintegraor “degrees.” It is explained that the denomination of the product of two such denominate numbers is obtained by combining the denominations of the factors; minutes times seconds give thirds, because 1+2=3. The denomination ° for integers or degrees is necessary to impart generality to this mode or procedure. "Integers when multiplied by seconds make seconds, when multiplied by thirds make thirds" (fol. 62, 76). It is possible that Peletier is the originator of the ° for degrees. But nowhere in this book have I been able to find the modern angular notation ° ' " used in writing angles. The ° is used only in multiplication.

**Line segment.** A bar above *AB* to indicate line segment
*AB* was used in 1647 by Bonaventura Cavalieri (1598-1647)
in *Geometria indivisibilibae* and *Exercitationes geometriae
sex,* according to Cajori.

**Slope.** The earliest known use of *m* for slope
appears in Vincenzo Riccati’s memoir *De methodo Hermanni ad locos geometricos resolvendos,*
which is chapter XII of the first part of his book *Vincentii Riccati Opusculorum ad res Physica, &
Mathematicas pertinentium* (1757):

Propositio prima. Aequationes primi gradus construere. Ut Hermanni methodo utamor, danda est aequationi hujusmodi formaThe reference is to the Swiss mathematician Jacob Hermann (1678-1733). This use ofy=mx+n,quod semper fieri posse certum est. (p. 151)

C. B. Boyer in his *History of Analytic Geometry* (1956, p.
205) points to a passage in Monge
where the “modern point-slope form of plane equation of the
straight line is
given explicitly, perhaps for the first time.” See
“Mémoire sur la Théorie des Déblais &
des Remblais,”
*Histoire de l'Académie royale des sciences* 1784 (Année 1781)
p. 669.

In 1830, *Traite Elementaire D'Arithmetique, Al'Usage
De L'Ecole Centrale des Quatre-Nations: Par S.F. LaCroix,
Dix-Huitieme Edition* has *y* = *ax* + *b* [Karen
Dee Michalowicz].

Another use of *m* occurs in 1842 in *An Elementary Treatise on the Differential Calculus*
by Rev. Matthew O'Brien, from the bottom of page 1:
"Thus in the general equation to a right line, namely
*y* = *mx* + *c,* if we suppose the line..."
[Dave Cohen].

O'Brien used *m* for slope again in 1844 in
*A Treatise on Plane
Co-Ordinate Geometry* [V. Frederick Rickey].

George Salmon (1819-1904), an Irish mathematician, used *y* =
*mx* + *b* in his *A Treatise on Conic Sections,*
which was published in several editions beginning in 1848. Salmon
referred in several places to O'Brien's *Conic Sections* and it
may be that he adopted O'Brien's notation. Salmon used *a* to
denote the *x*-intercept, and gave the equation (x/a) + (y/b) =
1 [David Wilkins].

Karen Dee Michalowicz has found an 1848 British analytic geometry
text which has *y* = *mx* + *h.*

The 1855 edition of Isaac Todhunter's *Treatise on Plane
Co-Ordinate Geometry* has *y* = *mx* + *c*
[Dave Cohen].

In 1891, *Differential and Integral Calculus* by George A.
Osborne has *y* - *y'* = *m*(*x* - *x'*).

In *Webster's New International Dictionary* (1909), the "slope
form" is *y* = *sx* + *b.*

In 1921, in *An Introduction to Mathematical Analysis* by Frank
Loxley Griffin, the equation is written *y* = *lx* +
*k.*

In *Analytic Geometry* (1924) by Arthur M. Harding and George W.
Mullins, the "slope-intercept form" is *y* = *mx* +
*b.*

In *A Brief Course in Advanced Algebra* by Buchanan and others
(1937), the "slope form" is *y* = *mx* + *k.*

According to Erland Gadde, in Swedish textbooks the equation is
usually written as *y* = *kx* + *m.* He writes that
the technical Swedish word for "slope" is "riktningskoefficient",
which literally means "direction coefficient," and he supposes
*k* comes from "koefficient."

According to Dick Klingens, in the Netherlands the equation is
usually written as *y* = *ax* + *b* or *px* +
*q* or *mx* + *n.* He writes that the Dutch word for
slope is "richtingscoëfficiënt", which literally means
"direction coefficient."

In Austria *k* is used for the slope, and *d* for the
y-intercept.

According to Julio González Cabillón, in Uruguay the
equation is usually written as *y* = *ax* + *b* or
*y* = *mx* + *n,* and slope is called "pendiente,"
"coeficiente angular," or "parametro de direccion."

According to George Zeliger, "in Russian textbooks the equation was
frequently written as *y* = *kx* + *b,* especially
when plotting was involved. Since in Russian the slope is called
'the angle coefficient' and the word *coefficient* is spelled
with *k* in the Cyrillic alphabet, usually nobody questioned the
use of *k.* The use of *b* is less clear."

It is not known why the letter *m* was chosen for slope; the
choice may have been arbitrary. John Conway has suggested *m*
could stand for "modulus of slope." One high school algebra textbook
says the reason for *m* is unknown, but remarks that it is
interesting that the French word for "to climb" is *monter.*
However, there is no evidence to make any such connection.
Descartes, who was French, did not use *m.* In *Mathematical
Circles Revisited* (1971) mathematics historian Howard W. Eves
suggests "it just happened."

**Parallelism.** Two vertical bars, written horizontally
and resembling the modern equal sign, were used by Heron about A. D.
150 and by Pappus (Cajori).

Thee parallel symbol written vertically was first used by William
Oughtred (1574-1660) in *Opuscula Mathematica Hactenus Inedita,*
which was published posthumously in 1677 (Cajori vol. 1, page 193).

John Kersey (1616-1677) also used the vertical parallel symbol. He
used it after Oughtred, but in a work which was published before
Oughtred. He used the symbol in *Algebra,* which was published in
1673. Kersey switched the lines from horizontal to vertical because
of the adoption of the equal symbol (Cajori vol. 1, page 411).

**Perpendicularity.** was first used by
Pierre Hérigone (1580-1643) in 1634 in *Cursus
mathematicus,* which was published in five volumes from 1634 to
1637 (Cajori vol. 1, page 408). Johnson (page 149) says, "Herigone
introduced so many new symbols in this six-volume work that some
suggest that the introduction of these symbols, rather than an
effective mathematics text, was his goal."

**Right angle.** was used by Pappus
(Cajori vol. 1, page 401).

**Semi-perimeter.** A capital *S* was first used by
Leonhard Euler (1707-1783) in 1750 (Cajori 1919, page 235).

**Similarity.** ~ was introduced by Gottfried Wilhelm Leibniz
(1646-1716) in a manuscripts of 1679 which were not published by him.
The symbol was an S for *similis,* written sideways. The
original manuscripts do not survive and it is uncertain whether the
symbol Leibniz first used resembled the tilde or the tilde inverted
(Cajori vol. 1, page 414).

In the manuscript of his *Characteristica Geometrica* he wrote:
"similitudinem ita notabimus: *a* ~ *b*" (Cajor vol.
1, page 414).

The first appearance in print of Leibniz' sign for similarity was in
1710 in the *Miscellanea Berolinensia* in the anonymous article
"Monitum," which is attributed to Leibniz (Cajori vol. 2, page 195).

**S.S.S., S.W.S.,** and **W.S.W.** for the triangle congruence
theorems and axioms were invented by Julius Worpitzky (1835-1895),
professor at the Friedrich Werder Gymnasium in Berlin (Cajori vol. 1,
page 424). (W for *Winkel*=angle)

An article in *The Mathematics Teacher* in March 1938 uses
a.s.a. = a.s.a. and s.s.s. = s.s.s. and s.a.a. = s.a.a. as reasons in
a proof. An article in the same journal in 1940 uses C.p.c.t.e.,
which is written out as "Corresponding parts of congruent triangles
are equal."

An article in *The Mathematics Teacher* in April 1948 has: "The
three common theorems on congruence of triangles (SAS = SAS; ASA =
ASA; SSS = SSS) are 'proved' by superposition."